creative writing

Feeling through Creativity: Interview with Phoebe Taylor

 

 

This week’s episode is about the connection between mental health and creativity. Oftentimes students are so caught up with getting good grades or a prestigious job that they forget to have fun. They forget that learning is supposed to bring joy. They don’t realize that writing a research paper is actually a creative process, and it is possible to inject their own personality in the process. Most of all, they can easily buy into the idea that being successful means suppressing one’s emotions. But, feelings are not our enemy, they are our friend.

 

Phoebe Taylor 200x300 Feeling through Creativity: Interview with Phoebe Taylor

 

This week’s guest is Phoebe Taylor, artist, mindful mover, community maker and creative director of Okay Shoe. Her work explores the intersection of art, mindfulness, intuition and movement. Okay Shoe works collaboratively with artists to create stuff + space for feeling okay. My work as a visual artist utilizes zines and other modes of public art and installations. She believes one good rock show can change the world, art is for everyone to make and enjoy, and everyone deserves to feel good in their body, even you.

 

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How do you think creativity plays a role in self-care and mental wellness?

 

Yeah. Oh man. I don’t really feel like we live in a world that really allows any space for creativity and when it does, it’s like it looks a very specific way. You know, like art goes in a gallery and you know, who’s creating art and who’s who’s in control of those things. I think we have a very narrow idea of and I think you would read that in my intro I really do believe like all humans are creative beings. And there’s just every everything in the whole world that tell us not to be creative. And I asked a lot of people kind of like, you know, talking about how I work as an artist and when I’m working with individuals as well. I asked people it’s like, well, who told you that you can’t be creative? Because I think like when we talk when we talk a lot about you know, kind of core beliefs and and all those things. It’s like, oh, wait a second, like Who put this here? Who put the seed in me like who watered it? And I think a lot of the time it’s like well, meaning, you know, whether it’s a parents teachers a real life person or not, you know, maybe on the television. I mean, I could make a list of kajillion systems to be creative. So yeah, I when I think about that, I grew up as a pretty creative child. I feel very lucky

 

I don’t feel like we live in a world that really allows any space for creativity, and when it does, it looks a very specific way. Like art goes in a gallery and who’s controlling that idea of art is very narrow. There’s also a lot in the world that tells us not to be creative. I work with a lot of individuals and one of the main questions I ask them is – “Who told you that you can’t be creative?” It comes down to core beliefs and how they impact us. Who put this belief here? We put the seed in me and watered it? A lot of time it is well-meaning parents and teachers, or even television.

 

Fortunately, I grew up as a pretty creative kid. My parents were artists and I feel very lucky to have had that outlet. Creativity is really a tribute to children. As children, we need care and play. Being creative links to our ability to play and connect with our emotional selves. If we had our first grade teacher following us around everyday reminding us of important life lessons like share, take a break, have a nap, eat a snack. It’s all very basic self-care techniques. 

 

The best way to tap into my needs that I’ve found is medication. I love that. I would say take a breath, I would say pause to my clients. They know it’s hard. I’m also a meditation teacher. I think our effort is in trying and paying attention. Pay attention to what you pay attention to and pause and check in with your feelings like – Do I do I need a glass of water? Do I need to have a nap? Do I need to go and doodle? We stay connected to our creativity by staying connected to ourselves.

 

 

I know that you run a workshop Finding Play in Creativity. Tell us what this workshop is about.

 

“Finding Play and Creativity” is an approach that I use in the individual workshops that we host through Okay Shoe. Specifically, every month we host Okay Hang online. I usually start with an opening question to start the process of reflection as people are logging into the Zoom room. Instead of asking people – “How are you?” – where we expect an answer of “good” or “okay” – I ask something deeper and more meaningful. 

 

I also create a space where people can create whatever they want or be who they are feeling that day. There is no pressure to create. It’s about finding playfulness and supporting each other through our creative processes.

 

How do you think students who are struggling with the pressure and stress of assignments could benefit from some of the things you teach in this workshop?

 

We actually do often have students drop into our workshops who are stuck on projects, like grant applications or school applications. They need a space where they can just say – “I don’t know what I’m doing right now with this.” I don’t know what I’m writing. I just need an external infusion of inspiration of some kind. Sometimes, the workshop helps the person to kickstart their writing process. Other times, they are just sitting there doodling on the back of a card for an hour.


Doodling is so amazing for our brains. Again, I’m not a scientist. However, I have read a lot of interesting science around it. It gives our brain a space to just kind of wander around. It is in this space where ideas come from. My favorite director, David Lynch, talks about his process of develoing ideas as “going fishing”. He calls ideas “fish”. He says you have to go out on a dock, sit, and quietly go fishing. Doodling or Okay Hang or morning pages is my fishing process. I can go back and evaluate my process and ask myself questions like: What keeps coming up? What’s the idea here? What am I actually thinking about? What is the threat here? Am I just interested in oceanic life? Maybe I need to go write my dissertation on this? Elizabeth Gilbert talks about going back to her morning pages and seeing that she continually talks about learning Italian and decides that she’d better go to Italy. A whole book – Eat, Pray, Love – came out of that process of self-reflection and evaluation. So you never know where these seeds are going to come from. You need to give yourself and your brain space to wander around and go fishing.

 

What tips or strategies would you have for someone staring down writer’s block/creative block?

 

From my experience, when you’re just so deep in the weeds of what’s going on, it can be hard to know what to write. When I am stuck, it’s hard to dig into what I am trying to accomplish. Walking away and coming back to it can help me to reset. It reminds me of what the nugget of thing is. I, then, try to write towards that nugget. Taking a mental break and using the other side of the brain makes it easier to come back to the task.

 

 

 

Recommended Books and Resources

 

 

 

Thank you, Phoebe, for sharing the excellent advice with us and our readers! 

 

Missed Podcast? Watch Video Here:

 

 

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For more advice about writing, check out our weekly, podcast, videos, or subscribe to our monthly newsletter.

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To get more help with your assignments, book a 20 minute discovery session with us and start your journey to reaching your full potential on the page, and in life.


Both the written, visual, audio, and audiovisual content of this post has been created by and is the intellectual property of Lisa Pfau and PFAU Academic Writing. Please do not replicate any of the above content without our consent. However, please do feel free to share this post and its authorship widely.

Feeling through Creativity: Podcast Episode Live!
Phoebe Taylor Podcast Post  300x300 Feeling through Creativity: Podcast Episode Live!

This week’s episode is about the connection between mental health and creativity. Oftentimes students are so caught up with getting good grades or a prestigious job that they forget to have fun. They forget that learning is supposed to bring joy. They don’t realize that writing a research paper is actually a creative process, and it is possible to inject their own personality in the process. Most of all, they can easily buy into the idea that being successful means suppressing one’s emotions. But, feelings are not our enemy, they are our friend. This week’s guest is Phoebe Taylor, artist, mindful mover, community maker and creative director of Okay Shoe.

 

HIGHLIGHTS

Finding joy in creation

Building a creative business

Sustainable creation and collaborative practices

Link between our emotions and art

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To get more help with academic writing, application coaching, or professional development, book a 20 minute discovery call with us and start your journey to reaching your full potential on the page, and in life.


All the written, visual, audio, and audiovisual content of this post has been created by and is the intellectual property of Lisa Pfau and PFAU Academic Writing. Please do not replicate any of the above content without our consent. However, please do feel free to share this post and its authorship widely.

Healing through Creative Writing: Interview with Linh Nguyen

 

We interviewed Linh Nguyen, a Vietnamese-Canadian writer and workshop facilitator, about the gifts that writing can provide to your well-being. Writing can be a great emotional relief, healing old wounds, providing unique insights, and enhancing personal growth.

000026030021 1 214x300 Healing through Creative Writing: Interview with Linh Nguyen

 

 Linh is passionate about #OwnVoices storytelling and creating space for underrepresented artists in mainstream media. She holds an H.B.A. in English from the University of Toronto and specializes in writing creative non-fiction and children’s literature. Her current project is a middle-grade children’s portal fantasy manuscript, which she is currently being submitted to several publishers. Linh is also one of our creative writing instructors at PFAU, with some really inspiring upcoming courses.

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What drew you to creative writing?

For me, I think what drew me to stories in the first place was that I’ve always been a big reader. I did not start writing by myself until Grade 6, which was the year that my father and I immigrated to Canada. It was a pretty challenging year for a number of reasons financially, personally, my mom and my baby brother stayed behind in Hanoi that year. So it was a challenging time for the family, and we had a lot to adjust to, facing a new culture and country. I wanted to escape a lot of that, so I turned to stories. That year I think over 200 books.

My favorite genre was were portal fantasies, which is the type of fantasy when the main character starts in our regular worlds and then finds himself in a different world through some series of circumstances. For example, the Witch in the wardrobe, the Wizard of Oz, Alice in Wonderland. Those stories were always my favorite. Also, that was the year I discovered Harry Potter. I guess fiction provided me with the escape that I wanted, and the portal fantasy and print title there. The portal fantasy was like a metaphor for the immigrant experience. About partway through the year, I started writing some of my own stories to reshape my own experiences and have continued ever since.

I know that you’re passionate about unrepresented artists. Where did this come from?

Honestly, I only started paying attention to this over past three years. Before that, I think I was still writing with a very white gaze. In the first draft of my novel, all my characters were white. It wasn’t until I finished that I realized this and thought – “But, that’s not my experience.”

Afterwards, I listened to a TED Talk by Chimamda Ngozi Adichie called “The Danger of a Single Story.” She talks about an experience she had writing in Nigeria, as a kid, and how she was writing about snow, even though she’s never seen snow before. That was very relatable to my experience because all I had consumed were stories about white characters, so I ended up writing about white characters even though that wasn’t reflective of my lived experiences. It took a very intentional reflection for me to actually start bringing my identity and voices of Vietnamese immigrants into my work.

I think community has played a really big part in this as well, such as being involved with Project 40 Collective, which is about uplifting, underrepresented voices. They’ve all been teaching me how to foreground identity in my work. This is totally new to me because my background is in English literature in university, where the majority of authors are white men. It took me so long after graduating to realize that Hemingway is not the be all and end all of good writing. It’s really important to see stories of people who look and sound like you when you’re growing up. Otherwise, you end up adopting the dominant gaze, which is what I did and I had to push myself out of it in a lot of ways.

In what ways can students use writing as a form of self-care in their daily lives?

I think the biggest difference between essay writing and writing for self-care is the intention. In my workshops, I don’t focus on technique as much as I focus on developing voice. The object is drawing out feelings and making space for feelings. It’s not so important to have nicely written words, but to be real and raw. The goal is to come out feeling proud of how you tuned into yourself and feel more grounded in yourself.

Recommended Books and Resources

Bird by Bird: Some Instructions on Writing and Life by Anne Lamott

The Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century by Steven Pinker

On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser

Linh Nguyen

Thank you, Linh, for sharing the excellent advice with us and our readers! 

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Please visit our calendar to register for our research essay or creative writing courses.

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Missed the podcast? Listen here:

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For more advice about writing, check out our weekly podcast or subscribe to our monthly newsletter.

_

To get more help with your assignments, book a 20 minute discovery session with us and start your journey to reaching your full potential on the page, and in life.


Both the written, visual, audio, and audiovisual content of this post has been created by and is the intellectual property of Lisa Pfau and PFAU Academic Writing. Please do not replicate any of the above content without our consent. However, please do feel free to share this post and its authorship widely.

Healing through Creative Writing: Podcast Episode Live!
PFAU 35 panel 3 01 296x300 Healing through Creative Writing: Podcast Episode Live!

For this week’s episode, we interview Linh Nguyen, a Vietnamese-Canadian writer and workshop facilitator, about the gifts that writing can provide to your daily life. Writing can be a great emotional relief, healing old wounds, providing unique insights, and enhancing personal growth.

 

HIGHLIGHTS

The relationship between writing and well-being

The creative writing process

Self-care writing practices

The importance of writing as a self-reflection tool

 

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Please visit our calendar to register for our research essay or creative writing courses.

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To get more help with academic writing, application coaching, or professional development, book a 20 minute discovery call with us and start your journey to reaching your full potential on the page, and in life.


All the written, visual, audio, and audiovisual content of this post has been created by and is the intellectual property of Lisa Pfau and PFAU Academic Writing. Please do not replicate any of the above content without our consent. However, please do feel free to share this post and its authorship widely.

The Art of Poetry and Creative Writing: Interview with Christie Wong

We interviewed Christie Wong, the Creative Writing Instructor and Coach at PFAU: Academic Writing, about her experiences with poetry. Many people are intimidated by poetry, perhaps because they were forced to read it in high school. However, poetry is the simplest form of expression that anyone can do.

Christie2 1 e1588372197880 930x1024 The Art of Poetry and Creative Writing: Interview with Christie Wong

Christie specializes in teaching creative writing, with a focus on poetry. Born in Hong Kong and raised in Toronto, Christie has travelled and lived in many countries, including Rwanda, Hong Kong, Central America, and the US. She uses her diverse educational experiences to help students from a variety of backgrounds.

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What are some of your favourite styles?

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I’m definitely one of those freeform people. I think this is pretty cliche, but I learned to appreciate the sonnet. It’s one of the more really complicated ones to write, but I really love the way the phrasing happens when you read it out loud. It just makes it takes meaning to another level. This is why like people don’t talk like Shakespeare anymore, but if it did, I think we would understand each other’s emotional complexities so much more.

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How did some of your experiences help you as a teacher?

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Yeah, my teaching background was pretty diverse. I started out as in a camp counsellor position at summer camps. And that taught me a lot of really great ways of facilitating in a simple manner. And then I transitioned into working with a group of women of different abilities. They all have different levels of learning disabilities. So a lot of them would be l be 20 something but their reading level would be grade two. I also trained to be a behavioural therapist, and I did that for about a year. So that was a really different way of teaching as well.

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What are some of your favourite aspects of teaching poetry and creative writing?

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My favourite parts, especially with adults, I think are the moments when they finally let their guard down. They’re like, “Oh, I can’t do this” because of some history or experience that they’ve reinforced in their own narrative. It takes a lot of loving and a lot of caring, to get them to think outside of that and start being curious about their own thoughts. With kids, they’re in a way, a lot easier, because they don’t have those things. They’re just ready to try any challenge.

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What sorts of resources would you recommend for people who want to learn more about poetry?

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It depends on how you learn. You got to always think about learning in relation to how you like to learn to set yourself up for success. There are a lot of resources like the Poetry Foundation, you can subscribe to daily, poetry in your email inbox. Otherwise, pick up a poetry book that looks interesting to you and just start reading one or two poems. If you want to keep continuing and learn more, I recommend picking up some books on writing, just to learn how to think about things or just be given suggestions. At the end of the day, your thoughts or poetry requires originality.

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Christie’s Book and Resource Recommendations

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The Artists Way by Julia Cameron

A Different Booklist – Bookstore

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Thank you, Christie, for sharing the excellent advice with us and our readers! 

Scroll through our course calendar & sign up for Christie’s next poetry class here

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Missed the podcast? Listen here:

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_

For more advice about writing, check out our weekly podcast or subscribe to our monthly newsletter.


Both the written, visual, audio, and audiovisual content of this post has been created by and is the intellectual property of Lisa Pfau and PFAU Academic Writing. Please do not replicate any of the above content without our consent. However, please do feel free to share this post and its authorship widely.

The Art of Poetry and Creative Writing: Podcast Episode Live!

Pfau pfau poetry The Art of Poetry and Creative Writing: Podcast Episode Live!

We interview Christie Wong, Creative Writing Instructor and Coach at PFAU Academic Writing, about the importance of creative expression, through writing.

HIGHLIGHTS

Poetry content and styles

How to incorporate poetry into daily life

Resources for improving poetry writing

Information about her upcoming poetry course

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Scroll through our course calendar & sign up for Christie’s next poetry class here

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To get more help with writing, book a 30 minute disovery session with us and start your journey to reaching your full potential on the page, and in life.


Both the written, visual, audio, and audiovisual content of this post has been created by and is the intellectual property of Lisa Pfau and PFAU Academic Writing. Please do not replicate any of the above content without our consent. However, please do feel free to share this post and its authorship widely.

Creative Writing for Non-Writers Course

Creative Writing Class 1024x768 Creative Writing for Non Writers Course
Working on Found Poems

Join us for 8 classes of Creative Writing for Non-Writers starting on May 1st designed to help develop writing fundamentals, creative capacity, and confidence. Our ideal student is someone who needs a little extra push to put their self out there and write. It is an especially great course for those who are struggling with communication at work, learning English, or want a break from their usual routine.

creativewriting2 768x1024 Creative Writing for Non Writers Course
The importance of word choice…


The instructor, Lisa Pfau, is the founder and CEO of PFAU: Academic writing, editing, and coaching. She has over 10 years experience helping students to improve their writing skills in academic and professional settings, as well as editing/writing many academic, government, and professional documents and reports. Her real passion is injecting creativity into generally boring texts to make the reader laugh or engage. She also published a few creative works of her own, including a short story entitled “Cold War” in Horizon Magazine based on her experiences in China. She looks forward of getting out of her managerial role back into the creative side that drew to build her business in the first place – writing.


TENTATIVE COURSE SCHEDULE

Class 1: Description

Class 2: Story Arch

Class 3: Character Development

Class 4: Perspective

Class 5: Dialogue

Class 6: Know your Audience

Class 7: Editing/Revision

Class 8: Final Draft Presentation

Drop-in fee $25+HST/class. Speak to me to register for multiple classes and receive a discount.

For a video of the class, check out our YouTube channel.

Register here or email me directly.